6.8
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   660次评分 IMDB6.6 豆瓣6.8
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Of all the Fritz Lang films I have seen, this may be the one that I was least enamored with. Gary Cooper seems miscast as an atomic scientist (Prof. Alvah Jesper), who is sent to Europe by the OSS to rescue other scientists who are being forced to cooperate with the Nazi atom bomb project. During his mission, he becomes involved with the Italian resistance, falling for plucky Gina (Lilli Palmer). I've read that Lang originally shot this film emphasizing the dangers of atomic power, but Warner re-edited and it fails to have any direction. It still shows a few Lang-esque moments, but this is only recommended for his most devout following as it really lacks any punch... or his signature panache.   译文(2): 在我看过的所有弗里茨 · 朗的电影中,这可能是我最不喜欢的一部。加里 · 库珀似乎被错误地塑造成了一个原子科学家(阿尔瓦 · 杰斯珀教授) ,他被战略情报局派往欧洲营救其他被迫与纳粹原子弹计划合作的科学家。在他的任务期间,他参与了意大利抵抗运动,爱上了勇敢的吉娜(莉莉帕尔默)。我读到朗最初拍摄这部电影是为了强调原子能的危险性,但是华纳重新编辑了这部电影,它没有任何方向。它仍然显示了一些朗风格的时刻,但这只是推荐给他最虔诚的追随者,因为它真的缺乏任何冲击力... 或他的标志性的华丽。
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  • 片名:斗篷与匕首
  • 状态:蓝光原盘
  • 主演:加里·库珀 Robert Alda 莉莉·帕尔默 弗拉迪米尔·索科洛夫 J·爱德华·布朗伯格 玛乔丽·霍希勒 
  • 导演:弗里茨·朗 
  • 年份:1946
  • 地区:美国
  • 类型:爱情 惊悚 战争 冒险 电影 
  • 频道:6.6
  • 上映:1946-09-28
  • 语言:英语
  • 更新:2025-11-09 03:53
  • 简介:Of all the Fritz Lang films I have seen, this may be the one that I was least enamored with. Gary Cooper seems miscast as an atomic scientist (Prof. Alvah Jesper), who is sent to Europe by the OSS to rescue other scientists who are being forced to cooperate with the Nazi atom bomb project. During his mission, he becomes involved with the Italian resistance, falling for plucky Gina (Lilli Palmer). I've read that Lang originally shot this film emphasizing the dangers of atomic power, but Warner re-edited and it fails to have any direction. It still shows a few Lang-esque moments, but this is only recommended for his most devout following as it really lacks any punch... or his signature panache.   译文(2): 在我看过的所有弗里茨 · 朗的电影中,这可能是我最不喜欢的一部。加里 · 库珀似乎被错误地塑造成了一个原子科学家(阿尔瓦 · 杰斯珀教授) ,他被战略情报局派往欧洲营救其他被迫与纳粹原子弹计划合作的科学家。在他的任务期间,他参与了意大利抵抗运动,爱上了勇敢的吉娜(莉莉帕尔默)。我读到朗最初拍摄这部电影是为了强调原子能的危险性,但是华纳重新编辑了这部电影,它没有任何方向。它仍然显示了一些朗风格的时刻,但这只是推荐给他最虔诚的追随者,因为它真的缺乏任何冲击力... 或他的标志性的华丽。
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