不再有夜晚

不再有夜晚

WEB-1080P 2020  法国 
上映 :2020-11-20(阿姆斯特丹国际纪录片节)
类型 :纪录 战争 电影 
国家 :法国 
更新 :2026-03-04
豆瓣ID : 35258274 IMDB : tt10917134
豆瓣 :7.8 IMDB :7.1
2020·法国·纪录 战争 电影 ·2020-11-20(阿姆斯特丹国际纪录片节)上映·法语,英语·详情
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  An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.
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  • 片名:不再有夜晚
  • 状态:WEB-1080P
  • 主演:未知
  • 导演:Éléonore Weber 
  • 年份:2020
  • 地区:法国
  • 类型:纪录 战争 电影 
  • 频道:7.1
  • 上映:2020-11-20(阿姆斯特丹国际纪录片节)
  • 语言:法语,英语
  • 更新:2026-03-04 15:42
  • 简介:  An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.
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